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Appendage

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Appendage skip to main | skip to sidebar Monday, June 29, 2020 Touki Bouki (Djibril Diop Mambéty, 1973) It’s difficult to overestimate the importance of the late Djibril Diop Mambéty’s Touki bouki (The Hyena’s Journey) and its seminal place within African cinema. A debut feature made for thirty thousand dollars by a self-taught twenty-eight-year-old director who had previously made only two shorts (albeit remarkable films in their own right), Touki bouki won the FIPRESCI prize at the 1973 Moscow International Film Festival and single- handedly challenged stale critical assumptions that African cinema was inextricably wedded to social realism and immune to experimental narrative strategies. Of course, Mambéty’s film is fascinating for the way it harnesses many of francophone African cinema’s traditional antinomies—the conflict between tradition and modernity, rural versus urban sensibilities, and the ravages of the colonialist inheritance that coexist with the corruption an...

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