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Dosss Corner
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不要成為別人的焦點
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Dosss Corner 跳至主要內容 搜尋 搜尋此網誌 Dosss Corner 不要成為別人的焦點 文章 精選 3月 11, 2024 講兩句王雙駿 由於本人自覺從 2005 年打後與廣東樂壇已脫節，所以看到王雙駿作品音樂會上，軟硬出場但唱的是《老人院》是完全不對味的，因為此作完全沒王的參與，拿出來唱只是綽頭，與王原本宣傳的黑暗調子相反。軟硬今天一出場，毫無疑問已變了格調終結者。 王與軟硬的代表作必定是 1996 年電影《天空小說》主題曲「 唔知係咩嘅我就點會 講」，曲詞編皆耳目一新，當中挑撥離間目空一切的精神至為可貴。 本著老海鮮記憶只留在二千年前 ( 近年心態轉變，很願意成為往時不想成為的大人 ) ，王雙駿 90 年代初出道著實驚喜連連，同期的雷頌德其實也有閃現靈光，不過相比下做信差出身王更「基層」，與雷的海歸形象不同。發展下去，反而基層的王更有新音樂架勢，早期作品信手拈來都是外國音樂大混雜，拿走人聲更似「外國嘢」，雷全力做大主流廣東歌，寫上口旋律和包裝其實更有效率，所以泊了去陳慧琳、黎明、郭富城那邊。反而王在配合主流之餘也有個人風格，亦不怕左右逢源拉雜自己聽歌的品味進去，與雷的「事業心重」恰成有趣對比。 王替草蜢監製的作品一手把他們由女人街跳舞組合變成創作團隊，專輯打開十多首樂曲的類概念大碟首開先河。蔡一智的曲固然是精品，王為其錦上添花，編的曲都是很現代化而色澤豐潤，像「斷句」用二胡便翻新了早年林憶蓮的用法，「好戲在後頭」王親自作的曲生氣勃發，用的士高包裝亦玩得似模似樣，不像雷同期的作品，你總覺得「得個殼」，王花了很多精神砌編曲，也上承了 90 年代以降的成熟沉穩品味，這可能也是他師承杜自持有關。 接近二千年王陸續為林海峰單飛、草蜢轉會滾石、梁漢文等搞作品，比較突出的有陳奕迅的第五個現代化及我的世界末日，直接引用當時 BritPop 風潮入歌，與陳當時初生之犢的銳氣匹配，不過也難免有死忠樂迷說王「抄」歌。其實你真的再聽聽他為梅艷芳監的「 I’m so happy 」和草蜢轉會滾石的「照常營業」，王曲編互相配襯如入無之境，我覺得抄也是抄得絕妙，不會計較，何況他有能力把梅調教至新世代感性，題才及唱腔均是一時之選。天下文章一大抄，不要像許志安的「我未夠好」般抄出直腸就行了。 王 2000 年打後替容...
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