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title
Radical Closure
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The Withdrawal of Tradition Past a Surpassing Disaster
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2026-03-03 10:47:10
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Radical Closure skip to main | skip to sidebar Radical Closure The Withdrawal of Tradition Past a Surpassing Disaster Thursday, February 14, 2008 Framing, reframing, deframing In the City of Sylvia José Luis Guerín's latest feature, En la ciudad de Sylvia (2007), has been referred to as a "silent film with sound". And the sound does indeed play a prominent (if not the central) role in this movie. Except for a relatively brief Marienbadian dialogue halfway into the film, most of its screentime is devoted - audiowise - to a dense (micro)polyphony of disembodied voices and other aural incidents: footsteps, passing trams, cars and skateboards, rolled bottles and spilled drinks, wind rustling through hair and notebook pages, diegetic music, etc. (Many of these sounds are acousmatic, i.e. detached from their visible sources). Such a veritable deluge of audio information imparts a schizophrenic aura (rather than a mere "cocktail party effect") to the film. Sheer density, "...
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