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title
Tim Connor
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Looking at visual culture
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2026-02-18 16:22:40
raw text
Tim Connor Tim Connor Looking at visual culture Saturday, January 24, 2015 Thomas Struth: Striving for the big picture Review by Tim Connor As a photography student at Kunstakademie Düsseldorf in the 1970s, Thomas Struth learned to create big, highly detailed pictures with his classmates – now photographic luminaries -- Andreas Gursky, Thomas Ruff and Candida Hofer. At the time their teachers, the legendary husband-wife team, Bernd and Hilla Becher , taught a technically rigorous system to “objectively” document disappearing German architecture. According to the Becher system, subjects must be captured serially with a large-format camera using black-and-white film under a cloudless sky. All subjects must be shot from uniform distances and heights, printed with medium contrast at a prescribed size and shown together to facilitate comparison. In his current show at the Met we see Struth’s homage to this exacting style -- a wall-sized grid of black-and-white ...
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